
For Piano Day at Orchestra Hall yesterday Steinway had provided no less than eight concert grand pianos. And they were all played together at the end by 16 pianists!
But before this grand finale I enjoyed a series of mini events starting with a charming interview conducted by the CSO's Martha Gilmer with Emanuel Ax. His infectious youthful enthusiasm for everything musical, his passionate emotional response to music communicated through the keyboard as well as in conversation, and his relentless inquiring nature makes him one of the most beloved pianists around. And this youthful enthusiast is 63! What a great idea to get this remarkable man to design this Piano Day!
But it wasn't just pianos. The CSO has a beautiful new Harpsichord built for them by Paul Irvin. And we were treated to a demonstration of it by young Mark Shuldiner who also happens to tune instruments for COT.
This was followed by one of America's most gifted young pianists, Jonathan Biss, playing Beethoven's Opus 7 sonata. He is embarked on recording the complete 32 sonatas over the next ten years. His remarks in an interview after his absorbing performance of the sonata revealed his deeply serious approach as well as the light charm of his manner. Yes they are human beings too!
All these events were in the Grainger Ballroom. But I then moved into the concert hall proper where a remarkable jazz piano duo Bill Charlap and Renee Rosnes were showing us, to impressive effect, some other brilliant uses for the piano.
And that was followed by the glamorous Valentina Lisitsa. I suspect that she divides opinion - the audience loved her anyway. There appeared to be the curious phenomenon of the other seven pianos on the stage reverberating with sympathy as she attacked Rachmaninoff and Liszt with vigor.
This was a good place to be yesterday with the temperature outside feeling like 97. Today it will be down in the 80s again!
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